Lab 7

Donald Louch


The best characters on television don't always have top billing.

TV shows have a way of not conforming to their creators' original intent. Take those supporting roles that, weather by charisma or circumstance, become towering presences. Even a stellar ensemble like Mad Men has seen peripheral figures seize the spotlight - "and while we don't know who will break from the pack when the show comes back in April, plenty of other characters on TV right now already doing it." - Sam Stander


Ron Swanson, Parks and Recreation

BREAKOUT MOVE: The accidental Fonzie

QUALITIES: Sometimes a character is just so damn likeable, the writers can't help but highlight them. All hail Pawnee's meat-loving, Tammy-hating, sax-playing department director!

SEE ALSO: Abed Nadir, Community; Bobby Cobb, Cougar Town


Richard Harrow, Boardwalk Empire

BREAKOUT MOVE: The Platonic ideal

QUALITIES: A character who so perfectly embodies a show's aesthetic as to become its mascot. The half-masked assassin is a gothic fusion of monster-movie imagery and nobility.

SEE ALSO: John Harris, Mad Man; Tyrion Lannister, Game of Thrones


Jesse Pinkman, Breaking Bad

BREAKOUT MOVE: The moral rudder

QUALITIES: Being the most grounded person in an unhinged universe can set you apart. Jesse was once slated for slaughter, but now it's hard to imagine the show without him as foil to Walter White.

SEE ALSO: Anna Smith, Downtown Abbey; Saul Berenson, Homeland


Schmidt, New Girl

BREAKOUT MOVE: The loose cannon

QUALITIES: Their actions make them fools, but their indefatigable upbeatness makes them loveable. How else could a guy who uses hair chutney become the great joy of the new Friends?

SEE ALSO: Dean Pelton, Community; Barney Stinson, How I Met Your Mother






When a dysfunctional ex-cop is on the run from the mob, salvation comes in the form of ... a flying blue unicorn? The paperback collection of Grant Morrison's insane comic-book series hits shelves in April.